Unlearning photography

LIFE, Vol. 38 No 7. TIME Inc. Chicago February 14, 1955.

DE BEVALLING: HET WONDER DER GEBOORTE. foto’s Ronald Sweering, tekst E. Leisen. L. Stafleu & Zoon. Leiden 1963.

MOTHERNIST MANIFEST UMAMI 2.0. Haller Baggesen & Donoghue. The Mothernists II: Who Cares for the 21st Century?. Copenhagen 2017.

“MEID, WAT BEN IK BEWUST GEWORDEN” VIJF JAAR DOLLE MINA. Marjo van Soest, Eva Besnyö, Henny van der Zande. Stichting Uitgeverij Dolle Mina. Den Haag 1975.

XY MAGAZINE #31 SCENE. Peter Ian Cummings. San Francisco 1999.

HELIOS Nr. 126. Unabhängige Monatsschrift für naturnahe Lebenskultur. Rudolf Zitzmann, Adolf Koch. Rudolf Zitzmann Verlag. Nürnberg 1961.

WHO’S HOLDING THE BABY?. HACKNEY FLASHERS COLLECTIVE. London 1978.

EVERYWOMAN. Gina Luria, Virginia Tiger. Random House. New York 1976.

LOTTA CONTINUA, Anno III - Numero 10: NELLE CASE OCCUPATE DI VIA TIBALDI. Milano 1971.

HASHEM EL MADANI. STUDIO PRACTICES. Lisa Le Feuvre, Akram Zaatari. Arab Image Foundation. Beirut 2004.

XY MAGAZINE #41 PSYCO. Peter Ian Cummings. San Diego 2003.

THE REPRODUCTION OF DAILY LIFE. Fredy Perlman. Dark Star, Phoenix Press. London 1969.

MÁS “MUJERCITOS!”: ¿QUÉ PASA? ¿YA NADIE QUIERE SER HOMBRE?: FESTINES SECRETOS DE INVERTIDOS!. Susana Vargas Cervantes. RM Verlag. Mexico D.F. 2014.

VIVANTE AFRIQUE No. 213: L’ENFANT AFRICAIN. Revue Générale des Missions d’Afrique. Pères Blancs d’Afrique, Editions Grands Lacs. Namur, Bruxelles, Mars-Avril 1961.

XY MAGAZINE #34 SPECIAL ISSUE. Peter Ian Cummings. San Francisco 2001.

DER ARBEITER-FOTOGRAF, III. JAHRGANG, NR. 12. Offizielles Organ der Vereinigung der Arbeiter-Fotografen Deutschlands. Berlin, Dezember 1929.

ANEMONE. Photo: Dergyliva. Edition of the Ministry of Communications of the USSR, 1970.

A BOY SITTING ON A BENCH IN GLOEDEN’S GARDEN. Wilhelm von Gloeden. Taormina circa 1895.

ALBUM HANNAH HÖCH. Gunda Luyken. Hantje Cantz Verlag. Ostfildern-Ruit 2004.

THE WORLD OF TRANSVESTISM Vol. 19, No. 4. Swish Publications. London circa 1980.

TĘCZOWE RODZINY W POLSCE: PRAWO A RODZINY LESBIJSKIE I GEJOWSKIE. Monika Zlma. Wydawca, Kampania Przeciw Homofobii. Warsawa 2010.

DIE ROTE KINDER REPUBLIK: EIN BUCH VON ARBEITERKINDERN FÜR ARBEITERKINDER. Andreas Gayk. Arbeiterjugend-Verlag. Berlin 1929.

THE UNEASY SUBJECT: AKRAM ZAATARI. Juan Vicente Aliaga. Edizioni Charta. Milano 2011.

XY MAGAZINE #31 LOVE 2. Peter Ian Cummings. San Francisco 2001.

THE WORLD OF TRANSVESTISM Vol. 15, No. 7. Swish Publications. London circa 1980.

DU + ICH, Heft 9. Egon Manfred Strauss. Heinrich Kölling & Sohn. Hannover, September 1971.

JO SPENCE: BEYOND THE PERFECT IMAGE: PHOTOGRAPHY, SUBJECTIVITY, ANTAGONISM. Terry Dennett, Jorge Ribalta. MACBA. Barcelona 2005.

RABOTNITSA (THE WOMAN WORKER) Year 34, No. 7. Pravda. Moscow 1956.

PHOTOGRAPHY OF PROTEST AND COMMUNITY: THE RADICAL COLLECTIVES OF THE 1970’S. Noni Stacey. Lund Humphries. London 2020.

COMING OF AGE: WILL McBRIDE. Aperture. New York 2005.

QUEER FEST 2013: 20 YEARS OF REPEAL OF ART. 121 OF THE CRIMINAL CODE OF THE RUSSIAN FEDERATION.

AS A WOMAN. Barry Kay. St. Martin’s Press. New York 1976.

HET NED. AGRARISCH FRONT. Anonymous. De Reproductie Compagnie. Rotterdam 1942.

DIE SANDWESPEN (AMMOPHILIA UND PODALONIA). Günter Olberg. Die Neue Brehm–Bücherei. Akademische Verlagsgesellschaft Geest & Portig K. G. Leipzig 1952

FANGHEUSCHRECKEN. Dr. Max Beier, Franz Heikertinger. Die Neue Brehm–Bücherei. Akademische Verlagsgesellschaft Geest & Portig K. G. Leipzig 1952.

LE MUSÉE DE LA BESTIALITÉ. Roland Villeneuve. Éditions Veyrier. Paris 1973.

THE COWBOY. Bank Langmore, Ron Tyler. Ridge Press Book, William Morrow and Company Inc. New York 1975.

BLUMEN #51. Hans-Peter Feldmann. VG Bild-Kunst. Bonn 2007.

NACKT UNTER NACKTEN: UTOPIEN DER NACKTKULTUR 1906–1942. Ulf Erdmann Ziegler. Verlag Dirk Nishen GmbH & Co KG. Berlin 1990.

SEKSTANT, 55e jaargang nr. 9: ROOIE FLIKKERS!. Uitgave van de Nederlandse Vereniging voor Sexuele Hervorming. Stichting Uitgeverij NVSH. Den Haag September 1975.

CERCLE ZOOLOGIQUE CONGOLAIS, Vol. II Fasc. 4. Bruxelles juillet–août 1925.

IDOLS: Gilles Larrain. Ralph Gibson. Links Books. New York 1973.

LA REFORMA AGRARIA EN EL 26 DE JULIO #2. Lisandro Otero, Korda, Raúl Corrales, Tony Evora. Ediciones R. Havana 1960.

RUNDVEE. Cas Oorthuys. Agrarisch Fonds, Uitgeverij Contact. Amsterdam 1948.

BUTT No 28. Gert Jonkers, Jop van Bennekom. Amsterdam 2010.

DU + ICH, Heft 2. Alexander Ziegler. Leine-Verlags GmbH. Hannover, September 1974.

SQUARE PEG No 3. Cranford Press. Croydon 1983.

BLUMEN #19. Hans-Peter Feldmann. VG Bild-Kunst. Bonn 2007.

DER EIGENE: EIN BLATT FÜR MÄNNLICHE KULTUR. Joachim S. Hohmann. Foerster Verlag. Frankfurt / Berlin 1981.

VOLKSFOTO: ZEITUNG FÜR FOTOGRAFIE Nr. 1–6. Dieter Hacker, Andreas Seltzer. Zweitausendeins. Frankfurt am Main 1981.

INRA, Año III No. 2. Antonio Nuñez Jimenez. INRA. La Habana 1962.

PLANT-LIFE. Charles A. Hall. Soho Square. London 1915.

GAY NEWS No. 28. Gay News Publishing Limited. London 1984.

BLUMEN #58. Hans-Peter Feldmann. VG Bild-Kunst. Bonn 2007.

IM BIENENLAND. Ernst Bichtler. VEB Deutscher Landwirtschaftsverlag. Berlin 1962.

KULTURGESCHICHTE DER EROTIK, Band 10. Ludwig Knoll. Moewig Verlag Rastatt. Stuttgart 1982.

PIGALLE. Roswitha Hecke. Verlag der Buchhandlung Walter König. Köln 2007.

DON INTERNATIONAL: MAGAZINE FÜR FREUNDE, Nr. 2 2. Jahrgang. Köln, Februar 1971.

DAISIES. Photo: Razumova, Editor: Selyamov. Edition of the Ministry of Communications of the USSR, 1968.

COLLECTE COLONIALE ET AFFECT: RAMPLER, DÉDOUBLER. Mathieu K. Abonnenc, Lotte Arndt, Catalina Lozano. Éditions B42. Paris 2016.

ELSEVIERS VLINDERGIDS: VOOR ALLE EUROPESE DAGVLINDERS. L. G. Higgins, N. D. Riley. Elsevier N. V. Amsterdam / Brussels 1971.

MIKE: TADZIO OF THE NINETIES. Photos by BIRON. Janssen Verlag. Berlin 1995.

BOYS No. 3. Philippe Brémard. Univers Presses. Paris circa 1978.

IT’S ONLY NATURAL: THE PHILOSOPHY OF NUDISM. William Welby. Thorsons Publishers. London 1937.

PHOTOFLEXION: A HISTORY OF BODYBUILDING PHOTOGRAPHY. William Doan, Craig Dietz. St. Martin’s Press. New York 1984.

SÜDAFRIKA SCHWARZAFRIKA 1890-1925. Eric Baschet. Swan Productions. Kehl am Rhein 1978.

BLACK & WHITE BUDGET (TRANSVAAL SPECIAL) VOL 1–No. 12. London, December 23 1899.

ARCHIVAL IMPULSE & POVERTY PORNOGRAPHY. Ayana V. Jackson. Baudoin Lebon Gallery. Paris 2013.

DAISIES AND BLUEBELLS. Photo: Razumova, Editor: Selyamov. Edition of the Ministry of Communications of the USSR, 1968.

TU CROIS QUE LA TERRE EST CHOSE MORTE. Élèves du Collège Aimé-Césaire, Florence Lazar. Paris 2015.

BUTTERFLIES. John Obadiah Westwood. Oxford 1842.

SANS FRONTIÈRE: POUR UN HEBDO DE L’IMMIGRATION No. 75. Paris, Avril 1983.

NON-LIEU: 1962-2016. Samir Laghouati-Rashwan. Miragem Editions. Marseille 2016.

JEUNE ARABE. Lehnert & Landrock. Tunisia circa 1920.

DON: REISE-TIPS FÜR HOMO-TRIPS. Frankfurt 1979.

INTERNATIONAL NEW YORK TIMES. May 14, 2014.

L’IMMORALISTE. André Gide. Select Collection No. 60. Flammarion. Paris 1937.

SLEEPING BOY. Anonymous. Algiers, circa 1880.

GARÇONS DE JOIE: PROSTITUTION MASCULINE 1860-1960. Éditions Galerie au Bonheur du Jour. Paris 2018.

DÉTECTIVE 6e Année - No 258: LE MARIN TRAQUÉ. Paris 5 octobre 1933.

ENQUÊTE SUR LA SEXUALITÉ AU MAROC. Gianni de Martino. GAI PIED HEBDO No. 153. Paris 1985.

QUERELLE FILMBUCH. Rainer Werner Fassbinder, Roger Fritz. Schirmer/Mosel. München 1982.

INSULINDE: WERK EN WELVAART. Dr. C. J. J. Van Hall. Het Koloniaal Instituut. In den Toren. Naarden 1944.

TANAH AIR KITA: EEN BOEK OVER LAND UND VOLK INDONESIENS. N. A. Douwes Dekker. W. van Hoeve N. V. Den Haag, circa 1950.

DE WERELD-TOURIST: TIJDSCHRIFT VOOR REIS- EN VERZAMELSPORT. No. 17, Haarlem 1903.

JAMAICA: BRITISH WEST INDIES. Jamaica Tourist Board. Kingston 1962.

JAMAICA. Francis Stoppelman. Ernest Benn Limited. London 1962.

THE DEVIL’S: EEN BLAD VOOR SADOMASOCHISTEN VOOR BELGIE EN NEDERLAND. (no date).

LE MUSÉE DU FETICHISME. Roland Villeneuve. Editions Henri Veyrier. Paris 1973.

NUDE PROSTITUTES IN COLONIAL SUMATRA: THE EROTIC PHOTOGRAPHS OF CARL J. KLEINGROTHE. Saigon Erotiq Publications 2020.

LILAC. Photo: Razumova, Editor: Selyamov. Edition of the Ministry of Communications of the USSR, 1968.

SUMATRA’S O.K. Carl J. Kleingrothe. Medan-München circa 1910.

SMOOTH: FOR THOSE APPRECIATIVE OF THE SENSUAL PROPERTIES OF RUBER. No. 60. Swish Publications Ltd. London circa 1970.

LE PIANTAGIONI PIRELLI BOENISARI–LEANDRA ESTATE ALL’ ISTITUTO AGRICOLO COLONIALE ITALIANO. Anonym. Java circa 1900.

FACING DEPORTATION. North Paddington Community Darkroom. Philip Wolmuth. London 1981.

HERE WE ARE. DE WERELD IS VAN IEDEREEN. UNDOCUMENTED MIGRANTS WELCOME. We Are Here, Werker Collective. Amsterdam 2021.

AS PAREDES NA REVOLUÇÃO: GRAFFITI. Sérgio Guimarães. Mil Dias. Lisboa 1978.

CHILI: VRIJHEID VOOR ALLE POLITIEKE GEVANGENEN! BAUTISTA VAN SCHOUWEN, ARTURO VILLAVELA, ROBERTO MORENO. Amsterdam 1975.

BLACK MALE / WHITE MALE. Rotimi Fani-Kayode. De Woelrat / GMP. Amsterdam / London 1988.

UNITA: ANGOLESE VRIJHEIDSSTRIJD. ANGOLA FILM. Cineclub Vrijheidsfilms. Amsterdam 1975.

DE KUNST VAN HET OVERLEVEN: RAMA, EEN STAD IN NICARAGUA. Hans van Heijningen, Bob van der Winden, Joost Hartog. Initiatiefgroep Stedenband Maastricht-Rama. Maastricht 1990.

LA REFORMA AGRARIA EN EL 26 DE JULIO. Lisandro Otero, Korda, Raúl Corrales, Tony Evora. Ediciones R. Havana 1960.

COMING OUT TWICE. Jacqui Duckworth. STOLEN GLANCES: LESBIANS TAKE PHOTOGRAPHS. Tessa Boffin, Jean Fraser. Pandora Press. London 1991.

INSURRECTION DE PARIS, MAISON PRÈS DU PARC, ASNIÈRES. Photo: anonyme, 1871.

LE CRI DE PARIS, 23e Année, Nº 1145. Paris 9 mars 1919.

HOE MEN IN AMSTERDAM IN 1917 EEN PORTIE AARDAPPELEN BESTELT. Johan Braakensiek. De Amsterdamer. Amsterdam 1917.

CAVALLERIE-KAZERNE, SARPHATISTRAAT. Buurman-De Haas. Amsterdam 1903

SITTENGESCHICHTE DES WELTKRIEGES I. Dr. Magnus Hirschfeld. Verlag für Sexualwissenschaft Schneider & Co. Leipzig / Wien 1930.

LIVRE BRUN: SUR L’INCENDIE DU REICHSTAG ET LA TERREUR HITLÉRIENNE. Comité international d’aide aux victimes du fascisme hitlérien. Lord Marley. Editions du Carrefour. Paris 1933.

BÜCHERVERBRENNUNG AM GERLINGPLATZ, 1933, STADTBILDSTELLE. DIE GROBSTAD DES 20. JAHRHUNDERTS. Dr. Klaus Wisotzky. no date

ROSA MEDITATIVA. Salvador Dalí. Figueres 1958.

PEACEFUL ACTION: PHOTOGRAPHIC MEMORIES OF ANONYMOUS OCCUPATION SOLDIERS IN EUROPE c. 1946. Collected by Kurt Kaimbel, Sándor Kardos. Edited by Rolf Sachsse, Paul Panhuysen. Het Apollohuis Eindhoven 1990.

INK, THE OTHER NEWSPAPER: GAY!. London 1971.

DU + ICH, Heft 7, 10. Jahrgang. Alexander Ziegler. Leine-Verlags GmbH. Hannover, Juli 1978.

BOY WITH HEADBAND. Wilhelm von Gloeden. Taormina 1902.

DÉTECTIVE 6e Année - No 258 #2: LE MARIN TRAQUÉ. Paris 5 octobre 1933.

CARNATION. Edition Stehli. Switzerland, circa 1940.

ALSATIAN WOLFHOUND. Edition Stehli. Switzerland, circa 1940.

GESTAPO: TERRORE NERO DELL’EUROPA. L’AGENTE X. Italy 1945.

L’ILLUSTRÉ DU PETIT JOURNAL, 44e Année, No 2233: LE PROCÈS DE LEIPZIG. Paris 8-10-1933.

DER SPIEGEL, 13. Jahrgang, Nr. 43: STEHEN SIE AUF, VAN DER LUBBE!. Hamburg 21 Oktober 1959.

SEQ, Tweede Jaargang, No 3: DE VERVOLGING VAN DE HOMOSEKSUELEN DOOR DE NAZI’S. Nederlandse Vereniging van Homofielen, COC. Amsterdam April/Mai 1970.

PUNCH, OR THE LONDON CHARIVARI: THE RED PERIL. Bernard Partridge. March 8, 1933.

A STANDING BOY DRESSED IN GREEK GARB, IN GLOEDEN’S GARDEN. Wilhelm von Gloeden. Taormina 1902.

VOLUPTUOUS PANIK: THE EROTIC WORLD OF WEIMAR BERLIN. Mel Gordon. Feral House. Port Townsend 2000.

WEESPERPLEIN MET SARPHATISTRAAT. Moderne Bouw Architect Joan van der Mey. Uitg. Vigevano. Amsterdam circa 1920.

AZALEA. Photo: B. Raskina. Edition of the Ministry of Communications of the USSR, 1970.

“DAS SIND VOLKSFEINDE!”: DIE VERFOLGUNG VON HOMOSEXUELLEN AN RHEIN UND RUHR 1933–1945. Centrum Schwule Geschichte. Köln 1998.

A CLASS APART: THE PRIVATE PICTURES OF MONTAGUE GLOVER. James Gardiner. Serpent’s tail. London 1992.

DER EIGENE: EIN BLATT FÜR MÄNNLICHE KULTUR #2. Joachim S. Hohmann. Foerster Verlag. Frankfurt / Berlin 1981.

10 MART, DAG VAN DE ANARCHIE. Willem Holtrop (Provo). Amsterdam 1966.

EL DILUVIO, DIARIO REPUBLICANO. Barcelona, 7 de agosto de 1936.

SCRAPBOOK NEWSPAPER CLIPPINGS ABOUT THE 1936 ‘NAZI’ OLYMPIC GAMES IN BERLIN. Anonymous. Amsterdam 1936.

OLYMPISCHE SPELEN DUITSCHLAND. 1–16 AUGUSTUS, BERLIN 1936. Reichtsbahnzentrale für den Deutschen Reiseverkehr, Berlin W35, in samenwerking met de propaganda-commissie voor de XI Olympische Spelen 1936.

ZE ZIJN ER WEER. FASCISME TOEN… EN NU!. Uitgave Raket. Rotterdam 1982.

BROOKLYN BOYS. Danny Fitzgerald and Les Demi Dieux. Edited by Robert Loncar and James Kempster. Bruno Gmünder. Berlin 2013.

WITTE KRANT, Bizonder Nummer (8): McLUHAN IS NIET DOOD. Amsterdam 1967.

ROSES. Photo: Kropyvnytskyy. Edition of the Ministry of Communications of the USSR, 1970.

COMMUNIQUÉ DE PRESSE. Jean-Pierre Joecker. Masques, Revue des homosexualités. Paris 25/05/1979.

MASQUES: REVUE DES HOMOSEXUALITÉS. Paris mai 1979.

BLUMEN #56. Hans-Peter Feldmann. VG Bild-Kunst. Bonn 2007.

PHOTOGRAPHY/POLITICS: TWO. Photography Workshop. Patricia Holland, Jo Spence, Simon Watney. Comedia Publishing Group 1986.

SILENT WITNESSES: PHOTOGRAPHS FROM THE AMSTERDAM POLICE ARCHIVES. Martin Harlaar, Richard Hengeveld, Jan Pieter Koster, Anne Roos. Uitgeverij Thoth. Bussum 1998.

SEXUALPATHOLOGIE III. Teil. Dr. Magnus Hirschfeld. A. Marcus & E. Webers Verlag, Bonn 1920.

GAY NEWS No. 28. #2 Gay News Publishing Limited. London 1984.

(Foto VINCENT MENTZEL). Uitgeverij De Haan, NRC Handelsblad. Weesp / Rotterdam 1984.

HET JONGE VOLK: ORGAAN VAN DE ARBEIDERS-JEUGD-CENTRALE: WERKLOZE JEUGD EIST AFDOENDE HULP. Henk Van Dijk. Amsterdam, September 1932.

BLUMEN #14. Hans-Peter Feldmann. VG Bild-Kunst. Bonn 2007.

THE WORKER PHOTOGRAPHER: THE HIDDEN HISTORY OF WORKER PHOTOGRAPHY. Photography Workshop. London circa 1979.

GALLERY OF MEN II: A PHOTO BOOK OF THE MOST BEAUTIFUL MALE NUDE POSTCARD IMAGES FROM TEN YEARS OF EDITION MEN’S ART. Janssen Publishers. Berlin, circa 1990.

MY GRANDFATHER AT THE FACTORY. BARCELONA. Circa 1960 circa

MY GRANDFATHER RAFAEL AT THE FACTORY #2. Poblenou, BARCELONA. Circa 1960

WE ARE 40% OF THE WORKFORCE. See Red Poster Collective. London circa 1980.

GESCHLECHTSKUNDE IV. BAND: BILDERTEIL. Dr. Magnus Hirschfeld. Julius Püttmann, Verlagsbuchhandlung. Stuttgart 1930.

ART AND THE WORKING CLASS. E. Nikolaeva. Leningrad Khudozhnik RSFSR Publishers 1983.

THE BLATANT IMAGE: A MAGAZINE OF FEMINIST PHOTOGRAPHY, No. 3. Oregon, 1983.

CHARLOTTE, SALOME, VERONIKA: TRAVESTITEN. Susann Hillebrand, Irmgard Johannson. Rogner & Bernhard. München 1978.

DON INTERNATIONAL Nr. 3/4 2. Jahrgang: MAGAZINE FÜR FREUNDE #2. Gerhard H. August. Köln, April 1971.

VENCEREMOS MAÑANA. Ericka Florez y Claudia Sanchez. Revista Periodica #2. Cali 2013.

HERRAMIENTAS VISIONARIAS. Estudiantes de la UFIL Pablo Neruda con Werker Collective. CA2M / Werker 10—Escuela de Fotografía Popular. Móstoles 2015.

WERKER P-350. Leandro Feal, Yornel Martínez, Werker Collective. Sin Oficio Ni Beneficio. La Habana 2015.

’INDEX’ FIRST PUBLISHED ANONYMOUSLY IN ARTFORUM. Andrea Fraser. Summer 2011. Graph represents the Mei Moses 2006 annual all art index and S&P 500 total return index (1956–2006).

FACING DEPORTATION #2. North Paddington Community Darkroom. Philip Wolmuth. London 1981.

OSU INCIDENT—THE TRUTH OF THE OSU INCIDENT: TESTIMONY TO THE HISTORY THAT PHOTOGRAPHS RECITE. Published by Osu Incident. Nagoya 1980.

THE BURDEN OF REPRESENTATION: ESSAYS ON PHOTOGRAPHIES AND HISTORIES. John Tagg. University of Minnesota Press. Minneapolis 1988.

AMATOR, CAMERA BUFF. KRYSZTOF KIEŠLOWSKI. Andrzej Pągowski. Warsaw 1979.

COMPAGNI. Potere Operaio anno I-1969, numero 8. Roma, novembre 1969.

UNOS QUE OTROS. Ernesto Fernández. Editorial Arte y Literatura. La Habana, 1978.

BLUMEN #20. Hans-Peter Feldmann. VG Bild-Kunst. Bonn 2007.

LEVEN NIEUWMARKT. Dane Wilson Beerling. Amsterdam1975.

DON INTERNATIONAL Nr. 3/4 2. Jahrgang: MAGAZINE FÜR FREUNDE. Gerhard H. August. Köln, April 1971.

LOTTA CONTINUA, Anno I, N. 4. Adele Cambria. Roma, 15 Aprile 1972.

LOTTA CONTINUA. Adele Cambria. Roma, Maggio / Aprile 1972.

PORTUGUESE/DUTCH LESSON WRITTEN ON THE BACK OF A POLITICAL POSTER IN SUPPORT OF CHILE’S RESISTANCE AGAINST PINOCHET: APOIEMOS A RESISTÊNCIA DO POVO CHILENO, MIR 10 ANOS LUTA. Lisboa circa 1979.

I RAGAZZI DEL ’77. Enrico Scuro. Bologna 1977.

I RAGAZZI DEL ’77 #2. Enrico Scuro. Bologna 1977.

OUR WAY OF ROCKIN’, DIXIE REDS DIXIE REBS. Cockpit Gallery Holborn. London, circa 1980.

DOING PHOTOGRAPHY. Blackfriars Photography Project. Half Moon Gallery. London 1976.

EINES VISIONARIES. SUSOESPAI amb Werker Collective. Fundació Tàpies / Werker 10—Escola de Fotografia Popular. Barcelona 2018.

THE POINT OF THE PORTRAIT. North Paddington Community Darkroom. Philip Wolmuth. London 1988.

LE NU DANS LA PHOTOGRAPHIE 1840–1986: A LA DECOUVERTE DU CORPS A L’ERE DE LA TECHNIQUE. Michael Köhler. Edition Stemmle. Münich 1985.

FIRST PICTURE I EVER DEVELOPED AT HOME. Marc Roig Blesa. Barcelona circa 1996.

Reading Room:
On Queer Reproduction

The Faggots & Their Friends Between Revolutions. Larry Mitchell. Illustrated by Ned Asta. Nightboat Books. New York 1977.
Square Peg No 3. Cranford Press. Croydon 1983.
Der Eigene #1/13 Juli 1930. Der Eigene: Ein Blatt für Männliche Kultur. Das Beste aus der ersten Homosexuellenzeitschrift der Welt. Joachim S. Hohmann. Foerster Verlag Frankfurt / Berlin 1981.
Photography / Politics: Two. Jo Spence, Patricia Holland, Simon Watney. Photography Workshop. London 1986.
What’s Love (or Care, Intimacy, Warmth, Affection) Got to Do with it? e-flux journal. Sternberg Press, Berlin 2017.
Dits et écrits II, 1976-1988. Foucault, Michel. Paris: Gallimard, 2001.
La lutte sexuelle des jeunes. Reich, Wilhelm. Paris: Editions Maspero, 1972.
Reading from Behind: A Cultural Analysis of the Anus. Allan, Jonathan A. London: Zed Books, 2016.
Estradot Skies: On Trans Reproduction. Iarlaith Ni Fheorais. London 2022.
Deproduction Part I. Names Have Been Changed (Excerpt). Sound/Reading for Incest Porn by Terre Thaemlitz.

The Faggots & Their Friends Between Revolutions. Larry Mitchell. Illustrated by Ned Asta. Nightboat Books. New York 1977.

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Contributors

About

Amator Archives (from the Latin amātor: lover) is an open source platform initiated by Werker Collective to support the production of political imagination through processes of counter-archiving, self-publishing and collective study. The materials in the archive are classified in crates (categories) and shelves (narratives) by its users, in function of their research needs. In 2020/22, during a residency at the Rijksakademie van Beeldende Kunsten, Werker designed and produced a modular system in order to make the archive a space for hosting with the possibility of traveling. This website documents the ongoing processes taking place in the different iterations of the Amator Archives.

In 2009 Werker started collecting documents and visual materials with the mission of preserving and spreading the legacy of self-organised documentary practices. These documents originate from second-hand bookstores and flea markets, donated by friends and comrades, or are produced during the collective’s artistic and activist collaborations. Since then the initiative grew into an archive of more than 3000 historical and contemporary documents and is ever-expanding. The archive is physically located in the Nieuwmarkt neighbourhood of Amsterdam and is regularly activated through conversations, workshops, performances, installations and publications.

Amator Archives: On Queer Reproduction. Rijks Open Studios 2022, Amsterdam. Photo: Sander van Wettum

Amator Archives: On Queer Reproduction. Rijks Open Studios 2022, Amsterdam. Photo: Werker

PUBLIC PRESENTATIONS

Amator Archives: On Practices of Self-Determination. With Andrin Kabashi, Toska Saliju, Endrit Tasholli, Termokiss, Hyjneshat, Dylberizm, Jeta Rexa, Linda Gusia, Genta Shabani, Rina Meta, Nita Deda. Manifesta 14: ‘it matters what worlds world worlds: how to tell stories otherwise’. Centre for Narrative Practice. Prishtina, Kosovo 2022. With the generous support of Institut Ramon Llull, Mondriaan Fund.

Amator Archives: On Queer Reproduction. With Georgy Mamedov, Natalia Ruhe, Pierre Gramond-Dodet, Moa Holgersson, JeanPaul Paula, Leendert Vooijce, Nell Schwan, Marc Roig Blesa, Joy Mariama Smith, Iarlaith Ni Fheorais, Rogier Delfos, Margot Schmidt, Aliki Marketou. Rijksakademie Open Studios. Amsterdam 2022. With the generous support of Institut Ramon Llull, Acción Cultural Española.

INSTALLATION

Design by Werker with Stephan Kuderna, Roger Cremers, Pieter Verweij, Monique de Wilt, Marianne Pijnenburg, Seamus Cater.

WEBSITE

Design by Werker, coding by Quentin Creuzet.

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The Netherlands

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Reading Room:
On Queer Reproduction